India is a massive, crowded country of hustle and grind. With so many people, competitive drive isn’t just inevitable, it’s admirable. Indian audiences look up to stars who they believe exemplify the rugged warrior virtues that spell success: lithe, statuesque Amitabh Bachan, brawny Sanjay Dutt, or Salman Khan. It’s rare that someone comes along who represents the average Indian, and is loved for it. India doesn’t usually have the wistful admiration for the reticent, yearning everyman. But if the country had their own versions of Jimmy Stewart and Gary Cooper, they’d probably be very close to Dilip Kumar, Naseeruddin Shah, and Shahrukh Khan.
Shahrukh Khan’s reputation precedes him.
He’s huge.
His celebrity is at level with Marilyn Monroe and Elizabeth Taylor at the time of their Andy Warhol silkscreen portraits: movie actor as cultural icon.
Swarms of people gather at his shows, his movies, and whenever he is hosting an event.
How did someone whose appeal is that he’s an accessible, everyguy grow into a superstar? Something similar happened to Tom Hanks, yet few people want to mob him when he’s in public.
People have to be literally restrained when Shahrukh walks by, and not just teens, but middle-aged women and men as well.
Shahrukh’s movies in the late ‘80s and early ‘90s had him as an awkward, yearning teen. Early on he showed great range in playing both heroes and villains. His relentless stalker in Yash Chopra’s Darr (1993) was a disarmingly poignant portrayal of a morally repugnant character, not unlike Peter Lorre’s child-murderer in M.
His affability and gift for musical performance shot him up the ranks to being one of the most versatile, bankable actors. In 1998, two movies made him the most popular star in Indian commercial cinema, the deliriously inane, but wildly popular Badshaah and Karan Johar’s endearingly schmaltzy Parent Trap send-up, Kuch Kuch Hota Hai.
His popularity grew, and in recent years he’s shown a gift for nuanced acting in films like Kal Ho Naa Ho (2003), Veer-Zaara (2004), Swades (2004) and Don (2005).
He’s one of India’s most well-rounded stars, a thoughtful actor as well as a great dancer and performer, but most important, he’s someone Indians identify with intimately; he could be the teasing neighbor, or the winsome cousin, or a protective brother.
Watching him talk to his awe-struck fans on the game show he hosts on his off-season from making movies, Kaun Banega Crorepati (the Indian version of Who Wants to be a Millionaire? ) is really quite amazing: he’s unusually giving and open for someone so famous, and the audience responds with unabashed enthusiasm and gratitude. In spite of all Shahrukh’s celebrity, he’s never forgotten from where he came.
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Recently the Shahrukh ‘King’ Khan was present at the music release and premier of the mythological film JAI JAGANNATH. SRK left every one surprised with his new hairstyle. He was spotted sporting a new look completely different from what he has experimented for his movies till now. Probably this might be the look for his forthcoming venture, or is it that the DON (SRK) is experimenting with his looks. What say all you gals ?
It has been confirmed that both SRK’s film Om Shanti Om and Sanjay Leela Bhansali’s film Saawariya will release together on November 9, the Diwali week.
Shah Rukh Khan gets mobbed by the shutterbugs and fans during the music launch of film ‘Jai Jagannath’.
In an attempt to introduce different genres of films to patrons, Cinemax associated with the much-awaited mythological movie JAI JAGANNATH in a big way! Cinemax not only hosted the premiere but also conducted the music launch for the film in 15 different languages for the very first time in history. All this was held in the magnificent foyer of Cinemax Versova. Making the event even grander were luminaries such as Shah Rukh Khan along with his wife Gauri, Mani Ratnam and Shankar attending the event. 
